Saturday, June 5, 2010

Screenwriting Secret: The Logic is Secondary

From James Cameron, on the writing of Aliens:
"Being a visual person, I work backwards from the imagery that I like. The logic of a scene, I believe, is secondary to the enjoyment of it. You have to assume that Ripley was dumb enough not to check the sub-ceiling, or you have to assume that she was so thorough that she though she had accounted for everything, and there was something that she had missed or didn't know, or wasn't in the blueprint.

Yes, as a writer, you wrestle with all these things. It's not as much a question of whether it's illogical, it's a question of whether you need to put in so much expository material to explain the point. If you overexplain, you look like you're talking to the audience, which is not good. You're telegraphing. You're no longer have the surprise.

For example, when the Queen holds on to the landing gear, and stows away inside the ship for the final sequence, do we show that? Do we show how she did it? No, because then you'd lose the surprise factor."

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